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“I don’t have musical theory or great chord knowledge, but what I have got me where I am.
This time I thought if I focused on the vocals, lyrics and the narrative line and let others work on my initial melodies, I could get something that branched out from my previous work.”A case in point is New Fears.
Her favourite song on the new album, it reflects when En is at her lowest and preparing to meet her new spiritual friend.
For that to work, she approached the writing of the music differently than her previous projects.“Everything will sound like me, obviously, because it is, but I let go of the reins in terms of production and instrumentation this time like never before,” she says.The book reads well, the art is solid and contemporary and the music is pristine, modern pop with tinges of electro, dance and arena-sized choruses bound to have wide appeal.Fight Club is one of the most dance-ready tunes she’s ever recorded.“VIP’s get background on the comic, photos, some acoustic songs and stuff that will make it really special.It took a year holed up in Mission in the woods getting cabin fever to draw that comic, so this is a great reception.”Thinking back to such laboured and painful concept albums as Yes’s seems concise and unpretentious.
An adventure in image and sound comes alive in the teaser, which included snippets of the debut single Giants: “In the ruins of a bygone opulence, where humanity faces its final days, there lives a soul caught between where fear is fed and hope is lost.